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You Too & Stuff ~ Novel (2011) Conley Elliot would die before admitting he liked a boy. In fact, he did. And now that his unfinished business needs a bit of finishing (or else,) Conley's got no choice but to admit that he really REALLY likes Spencer. But even if he could fess up, what good could come from admitting he's loved and lost? |
Showing posts with label You Too n Stuff. Show all posts
Showing posts with label You Too n Stuff. Show all posts
Sunday, December 25, 2011
You Too & Stuff
Tuesday, November 29, 2011
Do you write romantic relationships? Are you good with those? Do you write sex scenes?
Of course I write romance. I’m a chick, it’s practically a requirement that I indulge. Really, I think any good story has a whole range of relationships, and among the range would be romantic relationships.
It’s not always the main characters involved, though it usually is. The romance is not often the focus of the story, with the exception being stories You Too & Stuff and Strings n’ Ribbon.
Romance just adds another dimension to the interactions. The thing about love is that you can love someone and be driven absolutely insane by them at the same time. You can be completely incompatible with someone and yet still be in love with them, which is excellent story fodder since story’s heart is rooted in conflict. Love defies logic, and if used properly can become a believable and powerful motivator.
As for the sex scenes, sure I write those too. They don’t often make it to the final cut of the story, but if you can write it, why not? It’s fun to write too and can sometimes help develop a better understanding of the characters. Never can tell what can come of it.
As for the question if I’m any good at writing intimate scenes- I’m not really sure. I try to treat it like any other scene I write- there’s a point behind it and a result that affects the next scene. At least in construction, I know it’s solid.
It’s not always the main characters involved, though it usually is. The romance is not often the focus of the story, with the exception being stories You Too & Stuff and Strings n’ Ribbon.
Romance just adds another dimension to the interactions. The thing about love is that you can love someone and be driven absolutely insane by them at the same time. You can be completely incompatible with someone and yet still be in love with them, which is excellent story fodder since story’s heart is rooted in conflict. Love defies logic, and if used properly can become a believable and powerful motivator.
As for the sex scenes, sure I write those too. They don’t often make it to the final cut of the story, but if you can write it, why not? It’s fun to write too and can sometimes help develop a better understanding of the characters. Never can tell what can come of it.
As for the question if I’m any good at writing intimate scenes- I’m not really sure. I try to treat it like any other scene I write- there’s a point behind it and a result that affects the next scene. At least in construction, I know it’s solid.
Saturday, November 5, 2011
By age, who are your youngest/oldest characters?
Disregarding vampires/immortal characters (of which there are a few.)
My youngest character is probably… Well, I have two eight-year-old characters.
Emma is my character from my senior thesis. She’s an eight-year-old girl who has a lot of big dreams. Her favorite color changes every couple of weeks between pink, green, and light blue. She loves sweets, her favorite animal is a kitten, and she counts her age by months (she’s eight and three months.) Emma wants to be lots of different things when she grows up, which she tends to combine into a string of things, such as- “I want to be a traveling dancer veterinarian nurse horse-riding superhero when I grow up.”
Elspeth is an eight-year-old from a dramatically different story and so has a dramatically different personality. She’s extremely quiet and only talks when she has something important to say. She’s not shy but people sometimes perceive her as such (they can’t imagine why a little girl would be so quiet otherwise.) In truth she just doesn’t have much interest in social interaction. Elspeth is exceptionally good at identifying patterns, so she has a fondness for mathmatics. She gets along better with computers than she does people.
This also makes me think of another character from my first story. His name is Laboosh and he’s nine years old. This story is a scifi that involves different worlds, which is why his name is so odd. Laboosh is a hyperactive little boy, bursting with energy and interest in his world. He lives on the ship with primarily adults, so he’s learned how to keep himself occupied on his own, but since he doesn’t have friends his age he can sometimes be a bit of an attention-hog. As a result, he sometimes gets in trouble just so that people will notice him. He’s a good kid at heart, he’s just misunderstood and lonely.
As for the oldest character I have, that would be Gram from a story called You Too & Stuff. Gram is the main character’s grandmother, and she’s 88 years old. She makes it a point to keep active and sharp. She has a sarcastic sense of humor that can sometimes make her seem cynical but she’s otherwise pretty kind. Gram is a little bit out of touch with the modern generation, which puts her at odds with her grandson, who she’s raising on her own. Sometimes her grandson is a bit tiring or rebellious so she generally lets him do as he pleases and gives him advice when he starts running into trouble.
These characters tend to be the exceptions, however. Most of my characters are currently in their twenties because that’s how old I am. They’re easier to write and more likely to be in the situations that I like to focus on right now.
My youngest character is probably… Well, I have two eight-year-old characters.
Emma is my character from my senior thesis. She’s an eight-year-old girl who has a lot of big dreams. Her favorite color changes every couple of weeks between pink, green, and light blue. She loves sweets, her favorite animal is a kitten, and she counts her age by months (she’s eight and three months.) Emma wants to be lots of different things when she grows up, which she tends to combine into a string of things, such as- “I want to be a traveling dancer veterinarian nurse horse-riding superhero when I grow up.”
Elspeth is an eight-year-old from a dramatically different story and so has a dramatically different personality. She’s extremely quiet and only talks when she has something important to say. She’s not shy but people sometimes perceive her as such (they can’t imagine why a little girl would be so quiet otherwise.) In truth she just doesn’t have much interest in social interaction. Elspeth is exceptionally good at identifying patterns, so she has a fondness for mathmatics. She gets along better with computers than she does people.
This also makes me think of another character from my first story. His name is Laboosh and he’s nine years old. This story is a scifi that involves different worlds, which is why his name is so odd. Laboosh is a hyperactive little boy, bursting with energy and interest in his world. He lives on the ship with primarily adults, so he’s learned how to keep himself occupied on his own, but since he doesn’t have friends his age he can sometimes be a bit of an attention-hog. As a result, he sometimes gets in trouble just so that people will notice him. He’s a good kid at heart, he’s just misunderstood and lonely.
As for the oldest character I have, that would be Gram from a story called You Too & Stuff. Gram is the main character’s grandmother, and she’s 88 years old. She makes it a point to keep active and sharp. She has a sarcastic sense of humor that can sometimes make her seem cynical but she’s otherwise pretty kind. Gram is a little bit out of touch with the modern generation, which puts her at odds with her grandson, who she’s raising on her own. Sometimes her grandson is a bit tiring or rebellious so she generally lets him do as he pleases and gives him advice when he starts running into trouble.
These characters tend to be the exceptions, however. Most of my characters are currently in their twenties because that’s how old I am. They’re easier to write and more likely to be in the situations that I like to focus on right now.
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